Tuesday, July 22, 2008
Metroplaces - Dallas 2006 (acrylic on canvas 40" X 30")
Painted over the course of around 8 months, through the desperate heat of summer, this exploration of Dallas came about as I learned to reconcile myself and love Dallas.
If home is where the heart is then, Grapevine should have been an easy home. It has taken a while to attach and acclimatize, and this is home now.
Saturday, July 19, 2008
Poets of Destruction 2007 (acrylic and ink on board 4'X4')
Poets of Destruction came out of a fascination with graffiti.
The figure is an amalgamation of a number of graffiti images; the writings in gold and silver collections of poems, writings and lyrics chosen by the Cairns family.
The piece starts with Shelly's "Ozymandias" - I met a traveller from an antique land who said:.. and ends with Charles Bukowski's "Vegas" and this time I kept my mouth shut. And everything in between: Cam chose a piece from Nietzsche's "Thus spoke Zarathustra; Cullen, lyrics from Pink Floyd's "Shine on you crazy diamond"; Erin, Lewis Carroll's "Jabberwocky".
The figure is a gorgeous diseased loved being in umber, sienna and gold - studded with crystals. The crystals blink and dull as you move around the painting. Also my first venture into modelling paste. What a fun medium!
If I did this piece again, I would not use different colored pens (working with the metallic silver nearly killed me. ) I also developed the Bradley Hand font to lay the writing down, an immense task to change handwriting.
The figure is an amalgamation of a number of graffiti images; the writings in gold and silver collections of poems, writings and lyrics chosen by the Cairns family.
The piece starts with Shelly's "Ozymandias" - I met a traveller from an antique land who said:.. and ends with Charles Bukowski's "Vegas" and this time I kept my mouth shut. And everything in between: Cam chose a piece from Nietzsche's "Thus spoke Zarathustra; Cullen, lyrics from Pink Floyd's "Shine on you crazy diamond"; Erin, Lewis Carroll's "Jabberwocky".
The figure is a gorgeous diseased loved being in umber, sienna and gold - studded with crystals. The crystals blink and dull as you move around the painting. Also my first venture into modelling paste. What a fun medium!
If I did this piece again, I would not use different colored pens (working with the metallic silver nearly killed me. ) I also developed the Bradley Hand font to lay the writing down, an immense task to change handwriting.
Tom's Diner 2003 (acrylic on canvas 8"X4")
I painted Tom's Diner in 2003, the same year a fire broke out in the kitchen and the owner passed away.
Tom's was a great traditional diner - a greasy spoon where you could get a good meal at a reasonable price. The red checkered table cloths and a blaring TV was what I had always imagined an American diner to be. Tom's was never open on a Sunday, and hasn't been opened any day for some time now.
The diner still stands at the Ledgewood circle on Route 10. I hope someday someone with energy will fall in love with Tom's and reinstate an American classic.
At the time I painted this I was taking watercolor lessons at a local clubhouse, and struggled with the transition to acrylics. The blurring of colors in the water is something I still enjoy today. My fascination with Charles Demuth and Charles Scheeler have also not abated. Maybe in time I'll get them out of my system.
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